Maritime with Antiques and Collectors’ Items

Lot 321

UNATTRIBUTED; a pair of oils, farmyard stable scenes to include smithy shoeing a horse with tools in the foreground and a groom leading a horse into stable with two farm dogs in the foreground, each 22 x 29cm, framed and glazed, a mixed media 'Highland Raiders', initialled WCA lower left, 90 x 26cm, framed and glazed with title in oval ivory-coloured plaque, and a print 'Buff Shanghai Cock (First Prize), The Property of the Late Mr Parkinson, The Winner of Many Prizes', 25 x 18cm, framed and gla

Lot 322

THOMAS HUSON RI (British, 1844-1920); oil on board, 'The Rippling River Murmurs Low', riverside scene, signed, label pasted to board verso, 26.5 x 36.5cm, framed and glazed.

Lot 323

EDOUARD STARMNEL (19th Century); oil on canvas, 'Interesting News', a study of an elderly gentleman reading the newspaper, framed in an archway, signed bottom right, label verso, gallery label for the Boydell Galleries Liverpool, 30.5 x 25cm, framed and glazed.

Lot 324

19th CENTURY ENGLISH SCHOOL: oil on canvas, portrait of a young girl holding a red flower, titled verso 'The Pet of the Village' and attributed to J Collingwood, 1875, 24 x 18cm, framed and glazed.

Lot 324A

D L GILFALLAN (British, 19th century); oil on canvas, Formby Windmill with wheatsheaves and cows in the foreground, signed and dated 1889, 59 x 89cm, framed.

Lot 325

STELLA PLATT (1913 - 2011); oil on canvas, 'Galgate Silk Mill', signed lower right, 50cm x 60cm, framed.

Lot 326

20TH CENTURY CONTINENTAL SCHOOL; oil on canvas, country scene with village pond, ducks, ducklings and chickens in the foreground, farm building to rear, unsigned, 39 x 49cm, framed.

Lot 327

HARRY MAAS (British 1906-1982); oil on canvas, 'Dutch State Railways Engine Shed Beyer Peacock & Co, Built No.300 Series Engine, Nicknamed 'The Big Greens of The State'', signed and dated 1972, titled verso, 58.5 x 88cm, framed.

Lot 328

LATE 19TH/EARLY 20TH CENTURY ENGLISH SCHOOL; oil on canvas, 'The Close of Day', figures on a country lane with hay cart in the distance at sunset, indistinctly signed, label for the Boydell Galleries Liverpool verso, 29 x 45cm, framed and glazed.

Lot 329

JAMES EDWIN MEADOWS (British 19th century); oil on canvas, a study of heavy horses pulling a hay cart down a country lane with figure and dog in the foreground, indistinctly signed, dated 1870, 74.5 x 62cm, framed and glazed.

Lot 330

H DIESTI(?) (Continental, 20th century); acrylic on canvas, mountainous landscape with lake, signed, 59 x 90cm, framed and another similar example, signed Adams, 60 x 90cm, framed (2).

Lot 331

J TAYLOR (British 20th century); acrylic on canvas, field of haystacks at sunset, signed, 29 x 39.5cm, framed and glazed.

Lot 332

SHEILA TURNER (1941-); acrylic on box canvas, the Liverpool docks with boats on the water and the Liver building in the background, signed lower left, plaque verso 'Presented to Sir Joe Dwyer by the board, staff and friends of Liverpool Vision March 2008', 45.5 x 61cm.

Lot 333

DIGBY PAGE (born 1945); acrylic on canvas, coastal landscape, signed lower right, 49 x 74cm, framed.

Lot 334

JACK BLACKWELL (Southport artist); watercolour, 'The Hesketh Arms Hotel, Churchtown Southport', initialled lower left, signed in pen lower right to mount, label verso 'Transparent watercolour 1982 on handmade paper', 40 x 63cm, framed and glazed.

Lot 335

G OYSTON (British, late 19th/early 20th century); watercolour, a rowing boat moored in a mountainous river landscape, signed, 17 x 24cm, framed and glazed.

Lot 336

BRIAN R ENTWISTLE; watercolour, Liverpool street scene of terraced houses and figures in the rain, 30 x 43cm, framed and glazed.

Lot 337

S HERDMAN; watercolour, Liverpool street scene, possibly Everton Brow, 23 x 36cm, framed and glazed.

Lot 338

EDWARD KILLINGWORTH JOHNSON RWS (British, 1825-1923); watercolour, head and shoulders portrait of a woman wearing a bonnet, annotated 'Langhams Sketch', signed and dated 1863, 25 x 20cm, framed and glazed.

THOMAS HUSON RI (British, 1844-1920); oil on board, 'The Rippling River Murmurs Low', riverside scene, signed, label pasted to board verso, 26.5 x 36.5cm, framed and glazed.

EDOUARD STARMNEL (19th Century); oil on canvas, 'Interesting News', a study of an elderly gentleman reading the newspaper, framed in an archway, signed bottom right, label verso, gallery label for the Boydell Galleries Liverpool, 30.5 x 25cm, framed and glazed.

19th CENTURY ENGLISH SCHOOL: oil on canvas, portrait of a young girl holding a red flower, titled verso 'The Pet of the Village' and attributed to J Collingwood, 1875, 24 x 18cm, framed and glazed.

D L GILFALLAN (British, 19th century); oil on canvas, Formby Windmill with wheatsheaves and cows in the foreground, signed and dated 1889, 59 x 89cm, framed.

STELLA PLATT (1913 - 2011); oil on canvas, 'Galgate Silk Mill', signed lower right, 50cm x 60cm, framed.

20TH CENTURY CONTINENTAL SCHOOL; oil on canvas, country scene with village pond, ducks, ducklings and chickens in the foreground, farm building to rear, unsigned, 39 x 49cm, framed.

HARRY MAAS (British 1906-1982); oil on canvas, 'Dutch State Railways Engine Shed Beyer Peacock & Co, Built No.300 Series Engine, Nicknamed 'The Big Greens of The State'', signed and dated 1972, titled verso, 58.5 x 88cm, framed.

LATE 19TH/EARLY 20TH CENTURY ENGLISH SCHOOL; oil on canvas, 'The Close of Day', figures on a country lane with hay cart in the distance at sunset, indistinctly signed, label for the Boydell Galleries Liverpool verso, 29 x 45cm, framed and glazed.

JAMES EDWIN MEADOWS (British 19th century); oil on canvas, a study of heavy horses pulling a hay cart down a country lane with figure and dog in the foreground, indistinctly signed, dated 1870, 74.5 x 62cm, framed and glazed.

H DIESTI(?) (Continental, 20th century); acrylic on canvas, mountainous landscape with lake, signed, 59 x 90cm, framed and another similar example, signed Adams, 60 x 90cm, framed (2).

J TAYLOR (British 20th century); acrylic on canvas, field of haystacks at sunset, signed, 29 x 39.5cm, framed and glazed.

SHEILA TURNER (1941-); acrylic on box canvas, the Liverpool docks with boats on the water and the Liver building in the background, signed lower left, plaque verso 'Presented to Sir Joe Dwyer by the board, staff and friends of Liverpool Vision March 2008', 45.5 x 61cm.

DIGBY PAGE (born 1945); acrylic on canvas, coastal landscape, signed lower right, 49 x 74cm, framed.

JACK BLACKWELL (Southport artist); watercolour, 'The Hesketh Arms Hotel, Churchtown Southport', initialled lower left, signed in pen lower right to mount, label verso 'Transparent watercolour 1982 on handmade paper', 40 x 63cm, framed and glazed.

G OYSTON (British, late 19th/early 20th century); watercolour, a rowing boat moored in a mountainous river landscape, signed, 17 x 24cm, framed and glazed.

BRIAN R ENTWISTLE; watercolour, Liverpool street scene of terraced houses and figures in the rain, 30 x 43cm, framed and glazed.

S HERDMAN; watercolour, Liverpool street scene, possibly Everton Brow, 23 x 36cm, framed and glazed.

EDWARD KILLINGWORTH JOHNSON RWS (British, 1825-1923); watercolour, head and shoulders portrait of a woman wearing a bonnet, annotated 'Langhams Sketch', signed and dated 1863, 25 x 20cm, framed and glazed.